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Norfolk Serpent

by J. Wiegold

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1.
my left heart beats irregular and there in front of me is the will that'll breathe life into the right my right heart is uncooprative a mess of tangled hormones and dried blood a different intention each time; confound these paper thoughts, they burn so easily and then you'll see the sex leaking right out of me dripping; colourless the crowd stare as i pick the shattered pieces off the floor hair stands on end and starts to sweat and face turns red as hearts both start to beat like life depends oh how the world would be different if it were just me left or would the world be better off if i just left
2.
when will the empty space between us close? it's like being in the stars but light years away when will the supernova take the blame? for pushing us apart and then swallowing up your galaxy oh well because you eclipse the sun eclipse the sun a thousand times over the oxygen i need to live, it's yours because you eclipse the sun eclipse the sun ten thousand times over do you see me, through your gap? oh well i'll admire you still every day i will because you eclipse the sun eclipse the sun a million times over when will the atmosphere between us choke? and will i still see you when you're gone? faded away, eaten away, exploded away
3.
Viviette 03:07
4.
it's you i see at the bottom of my dreams greyscale skin and hair of mercury now who will sing? and who will read? like bronte never told us to breach the inbetween as i undying life, have power in thee no coward soul is mine so i'll cook yours in metal, blood and brine
5.
6.
Mimicry 04:03
dull frame adorned in flower'd fabric a vicious fauna'd ceramic dress you've made they're real in the way that they only look like us dull grey serrated form of plastic a snarling type of drastic mess you've made it's real in the way that it only looks us since we relinquish all of our bodies' function we never signed your form we were never there so it's only real in the way that it looks like ours it's real in the way that it only looks like ours so spill me out until you find one of my mistakes
7.
spin creases up your arm the weaver's web looks agony but does no harm she spins manifold late alarms but the folds are quite a ways out and the hems have such a charm a way out the spider finds a way out alive spin creases up your arm the seamstress will correct all of that harm it's the shirt that folds itself gathering dust upon a shelf and the hems have a new colourway and the seamstress looks away
8.
the emperor is dead long live the empress she'll rule with steel too rigid and oaths too shrill so practiced, her deepened breaths they close on a whisper and hunt down the colours still missing from her iris sees the world for reddened light, she seized the mirror cracked with blight rearranged the glass unto a frame; covering thier portrait, sex leaking out of the paint - her brushstrokes like petals it pleases them to see where she's been a land to escape or broken landscape the cracks in the page quiver her mouth and pencil lines like flowers uprooted from the dirt caught between her teeth and her tongue as they make their exit from the earth covering their portrait, sex leaking out of the paint
9.
10.
winter, winter emeraldine descent winter, winter show me your assent glossing over the body of the text the spring will show the leaves all dead whisk me away though we know it's too late (summer drained the grass) this could be our great escape undulate (the emeralds turned grey) the veins grow too great for the blood to concentrate and by then you'll be miles away (but the rain is miles away) so whisk me away take me away eventually the autumn sun will come and then we'll run away to make our great escape

about

an album about representation, love, suffocation, euphoria, suicide and the places where they weave together. my quietest release, probably, but also probably some of my prettiest guitar work. i went into all of these tracks writing only five-or-six-layer harmonies and then singing random syllables over them; many of the surviving songs keep the repeating patterns that i would play over and over again for ten or twenty minutes at a time. it was a very very cathartic experience, recording this at one of the lowest points in the year (and in my life thus far) turned it from the high-octane dream-pop record i originally planned into something much more delicate. i am extremely proud of it. i hope you enjoy it as much as i do :)

credits

released January 6, 2023

guitars, programming, keyboards, field recordings, lyrics, vocals, mixing, mastering and artwork by Jack Wiegold

recorded in my bedroom except tracks 2, 3, 4, 6 and 8 recorded in a forest near the UEA, Norwich (3rd July - 19th November 2022)

special thanks to everyone who saw me singing into a microphone in a forest looking very silly and didn't interrupt

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J. Wiegold Great Yarmouth, UK

"why-gold"

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